The eloquence in the language of architecture is measured by how a building is put together. The joining of materials in a manner that retains the integrity of each part, while assigning a function compatible and advantageous to its nature, has always been a measure of "seriousness" in architecture.
"God is in the details" is a phrase attributed to Mies Van Der Rohe and revered by architects as we endeavor again and again to do the right thing. Architecture is order, and this order carries throughout the building down to the smallest corner. There is no back side to architecture any more than there is a detail that is unimportant.
Detailing expresses the "how" of buildings and when done with great care and skill, reinforces the "why." It can express the honesty not only of the architecture but of all those involved in the making of it. It is a slow process whose results are seldom noticed. It has been said that good detailing should never show the agony it took to produce it, but should appear as if it had not been detailed at all, as if it went together the way it wanted to go together--or as Kahn has said, "the way it wants to be."
Our detailing is deliberately sparse and linear in order to enhance the spaces within and without. People look good in our buildings.
We try very hard in our work to listen to our client since it is the client's program, budget and site which are the influences that will drive the design. We have found, however, that of these three the site is the dominant factor.
The quality of the light upon that particular area of earth is always unique and determines the path the architecture will take. We endeavor to design buildings that belong, make the site look better and, hopefully, never shout. The order established by the program, the site and the budget produces architecture. Because of this, we have never designed two buildings alike.